Titianesque - ترجمة إلى الروسية
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  1. القواميس
  2. قاموس إنجليزي روسي
  3. Titianesque

Titianesque - ترجمة إلى الروسية


Titianesque         
  • ''[[Woman with a Mirror]]'', c. 1515, [[Louvre]].<ref> [http://merovingio.c2rmf.cnrs.fr/iipimage/ENI_Tiziano/ Scientific images of this painting] are available, with explanations, on the website of the French Centre for Research and Restoration of the Museums of France).</ref>
  • ''Pietà'']], c.&nbsp;1576, his last painting. [[Gallerie dell'Accademia]], Venice.
  • Allegory of Profane Love (detail of ''[[Sacred and Profane Love]]'')
  • ''[[Equestrian Portrait of Charles V]]'', 1548, [[Museo del Prado]]
  • Tomb of Titian in [[Santa Maria Gloriosa dei Frari]], Venice
  • 1546–47}}
  • Orazio]], and his nephew, [[Marco Vecellio]]. [[National Gallery]], London.
  • Diana and Actaeon]]'', 1556–1559.<br> [[National Galleries of Scotland]], Edinburgh.
  • ''Drowning of Pharaoh's Army in the Red Sea'', 1515-17, woodcut, 221.5 cm wide
  • ''[[A Man with a Quilted Sleeve]]'', c.&nbsp;1509, [[National Gallery]], London
  • ''[[Bacchus and Ariadne]]'', c.&nbsp;1520–1523. [[National Gallery]], London.
  • ''[[Portrait of Federico II Gonzaga]]'', c.&nbsp;1529. [[Museo del Prado]], Madrid.
  • ''[[Sacred and Profane Love]],''1514, [[Galleria Borghese]], Rome
  • Pesaro altarpiece]], 1521–26, [[Santa Maria Gloriosa dei Frari]], Venice
  • Frari]] church in Venice. Its dynamic three-tier composition and colour scheme established him as the preeminent painter north of Rome.
  • Rubens]] admired and copied. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colours, and vibrant brushstrokes.
  • ''Judith'']]; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian [[courtesan]]s as models. [[Galleria Doria Pamphilj]], Rome.
  • Venus and Organist and Little Dog]]'', c.&nbsp;1550. [[Museo del Prado]], Madrid.
ITALIAN PAINTER (C.1490-1576)
Tiziano Vecellio; Tizian; Tiziano; Vecellio Titian; Da Cadore; Tiziano Vecelli; Titianesque; Titian (Tiziano Veccellio)

[tiʃə'nesk]

прилагательное

общая лексика

тицианов(ский)

Titian         
  • ''[[Woman with a Mirror]]'', c. 1515, [[Louvre]].<ref> [http://merovingio.c2rmf.cnrs.fr/iipimage/ENI_Tiziano/ Scientific images of this painting] are available, with explanations, on the website of the French Centre for Research and Restoration of the Museums of France).</ref>
  • ''Pietà'']], c.&nbsp;1576, his last painting. [[Gallerie dell'Accademia]], Venice.
  • Allegory of Profane Love (detail of ''[[Sacred and Profane Love]]'')
  • ''[[Equestrian Portrait of Charles V]]'', 1548, [[Museo del Prado]]
  • Tomb of Titian in [[Santa Maria Gloriosa dei Frari]], Venice
  • 1546–47}}
  • Orazio]], and his nephew, [[Marco Vecellio]]. [[National Gallery]], London.
  • Diana and Actaeon]]'', 1556–1559.<br> [[National Galleries of Scotland]], Edinburgh.
  • ''Drowning of Pharaoh's Army in the Red Sea'', 1515-17, woodcut, 221.5 cm wide
  • ''[[A Man with a Quilted Sleeve]]'', c.&nbsp;1509, [[National Gallery]], London
  • ''[[Bacchus and Ariadne]]'', c.&nbsp;1520–1523. [[National Gallery]], London.
  • ''[[Portrait of Federico II Gonzaga]]'', c.&nbsp;1529. [[Museo del Prado]], Madrid.
  • ''[[Sacred and Profane Love]],''1514, [[Galleria Borghese]], Rome
  • Pesaro altarpiece]], 1521–26, [[Santa Maria Gloriosa dei Frari]], Venice
  • Frari]] church in Venice. Its dynamic three-tier composition and colour scheme established him as the preeminent painter north of Rome.
  • Rubens]] admired and copied. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colours, and vibrant brushstrokes.
  • ''Judith'']]; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian [[courtesan]]s as models. [[Galleria Doria Pamphilj]], Rome.
  • Venus and Organist and Little Dog]]'', c.&nbsp;1550. [[Museo del Prado]], Madrid.
ITALIAN PAINTER (C.1490-1576)
Tiziano Vecellio; Tizian; Tiziano; Vecellio Titian; Da Cadore; Tiziano Vecelli; Titianesque; Titian (Tiziano Veccellio)

['tiʃ(ə)n]

прилагательное

общая лексика

золотисто-каштановый (особ. о волосах)

золотисто-каштановый (особ. о волосах)

Titian         
  • ''[[Woman with a Mirror]]'', c. 1515, [[Louvre]].<ref> [http://merovingio.c2rmf.cnrs.fr/iipimage/ENI_Tiziano/ Scientific images of this painting] are available, with explanations, on the website of the French Centre for Research and Restoration of the Museums of France).</ref>
  • ''Pietà'']], c.&nbsp;1576, his last painting. [[Gallerie dell'Accademia]], Venice.
  • Allegory of Profane Love (detail of ''[[Sacred and Profane Love]]'')
  • ''[[Equestrian Portrait of Charles V]]'', 1548, [[Museo del Prado]]
  • Tomb of Titian in [[Santa Maria Gloriosa dei Frari]], Venice
  • 1546–47}}
  • Orazio]], and his nephew, [[Marco Vecellio]]. [[National Gallery]], London.
  • Diana and Actaeon]]'', 1556–1559.<br> [[National Galleries of Scotland]], Edinburgh.
  • ''Drowning of Pharaoh's Army in the Red Sea'', 1515-17, woodcut, 221.5 cm wide
  • ''[[A Man with a Quilted Sleeve]]'', c.&nbsp;1509, [[National Gallery]], London
  • ''[[Bacchus and Ariadne]]'', c.&nbsp;1520–1523. [[National Gallery]], London.
  • ''[[Portrait of Federico II Gonzaga]]'', c.&nbsp;1529. [[Museo del Prado]], Madrid.
  • ''[[Sacred and Profane Love]],''1514, [[Galleria Borghese]], Rome
  • Pesaro altarpiece]], 1521–26, [[Santa Maria Gloriosa dei Frari]], Venice
  • Frari]] church in Venice. Its dynamic three-tier composition and colour scheme established him as the preeminent painter north of Rome.
  • Rubens]] admired and copied. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colours, and vibrant brushstrokes.
  • ''Judith'']]; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian [[courtesan]]s as models. [[Galleria Doria Pamphilj]], Rome.
  • Venus and Organist and Little Dog]]'', c.&nbsp;1550. [[Museo del Prado]], Madrid.
ITALIAN PAINTER (C.1490-1576)
Tiziano Vecellio; Tizian; Tiziano; Vecellio Titian; Da Cadore; Tiziano Vecelli; Titianesque; Titian (Tiziano Veccellio)
Titian adj. золотисто-каштановый (особ. о волосах)

تعريف

Titian
['t??(?)n]
¦ adjective (of hair) bright golden auburn.
Origin
C19: from the 16th-cent. Italian painter Titian, by assoc. with the bright auburn hair portrayed in many of his works.
إظهار المزيد من التعريفات
What is the الروسية for Titianesque? Translation of &#39Titianesque&#39 to الروسية
بحث في القاموس
كل القواميس القاموس الألمانية القاموس الإيطالي القاموس البرتغالي القاموس الروسي القاموس الفرنسي القاموس الهولندي القاموس اليوناني قاموس إنجليزي إيطالي قاموس إنجليزي روسي قاموس إنجليزي عربي قاموس إنجليزي فرنسي قاموس إنجليزي هولندي قاموس إنجليزي-ألماني قاموس إنجليزي-إسباني قاموس إنجليزي-يوناني قاموس إيطالي روسي قاموس اسباني قاموس البرتغالية الروسية قاموس انجليزي قاموس عربي قاموس فرنسي روسي قاموس لاتيني اسباني قاموس لاتيني برتغالي
تم إنشاؤها بواسطة الذكاء الاصطناعي
إنجليزي الروسية إسباني برتغالي ألماني فرنسي اليونانية الهولندية إيطالي العربية
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